{"title":"Jazz","description":"","products":[{"product_id":"arawak-background-music-n-4","title":"Arawak – Background Music No. 4","description":"\u003cp\u003e \u003cstrong\u003eLimited Edition Reissue on \u003cem\u003eOrange\u003c\/em\u003e Coloured Vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eOriginally released in 1979 as TRL5006 on Titian Records label.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eArawak is one of the many pseudonyms that Luciano Simoncini used for his soundtrack and library music works. “Background Music N. 4” is a multi-faceted release that includes at least two symphonic pop gems tinged with jazz, together with other more abstract and improvised tracks, often made with a single instrument; it goes from the dramatic sounds of “Secolo XX”, through the liquid atmospheres of “Acquarium”, to the percussive experiments of “Missili”, “Nel tempo” and “Cardiopatia”. Fascinating!\u003c\/span\u003e\u003c\/p\u003e","brand":"btf.it","offers":[{"title":"Default Title","offer_id":50997598126411,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/2-arawak-background-music-n-4-record-store-day-2022-clear-orange-vinyl-edition.webp?v=1734765880"},{"product_id":"yellow-spoon-interpretations","title":"Yellow Spoon – Interpretations","description":"\u003cp\u003e Yellow Spoon is ready with their official fifth release, this time through Pasteelo Records. A 7” which is recorded, produced and mixed by Yellow Spoon and mastered by I Kicked a Cloud Once.\u003cbr\u003e Faithful to habit, here comes a warm and inviting journey of free-music which makes the heads nod and the toes tilt. Together with Pasteelo Records, an extension of legendary Danish creative collective brand, Pasteelo, \"Interpretations\" comes out on a 7\" on May 26th, 2022.\u003c\/p\u003e\n\n \u003cp\u003eYellow Spoon is a duo consisting of Christoffer Holm Clausen and Rasmus Riis Sitarz, who play exclusively improvised music on percussion, keyboards and bass, respectively. The sound of Yellow Spoon is a fusion of many styles that have shaped both members: from the fusion of jazz to the breakbeats of hip hop.\u003c\/p\u003e\n\n\u003cp\u003e In April 2021, the duo released their debut album in close collaboration with the Danish \/ German label Super Bad Disco (HHV.de), to great praise and with lots of gigs as a result. Most recently, in February 2022, the album “The Nebula Sessions” was released with the duo\u003cbr\u003e KALEIIDO under the Danish label Celebration Records.\u003cbr\u003e An album that was created during a live Nebula concert (during lockdown) which was streamed live on The Lot Radio NY, and which became the album of the week on national radio jazz station, P8.\u003c\/p\u003e","brand":"Pasteelo Records","offers":[{"title":"Default Title","offer_id":50999075242315,"sku":"","price":8.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a3967485268_10.jpg?v=1734806995"},{"product_id":"zamova-expositions","title":"Zamova – Exhibitions","description":"\u003cp\u003e\u003cspan\u003eEntry #10: Motif Alumni (Rucker Collective) joins forces with Music Research Library, bringing together contemporary and futuristic cues inspired by motion and the passage of time. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.\u003c\/span\u003e\u003c\/p\u003e","brand":"Madlib Invazion","offers":[{"title":"Default Title","offer_id":51349432107339,"sku":"","price":18.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/2-zamova-expositions.webp?v=1740644453"},{"product_id":"vinicio-adames-amazonia","title":"Vinicio Adames – Amazonia","description":"\u003cp\u003e \u003cstrong\u003eLimited Remastered Reissue\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eVenezuelan Electronic Music Pioneer Vinicio Adames Experimental piece from 1987.\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eWe are in 1987 and two years have passed since Vinicio Adames debut album “Al Comienzo Del Camino” when Venezuelan painter Ernesto Leon asks Vinicio to compose music for his New York Art Exhibition at Lincoln Center. The result is an exceptional composition and modern sound interpretation of their national heritage the Amazonas. Both Amazonia I + II, each version in its own way, honor the majesty and mystery of one of the world's greatest nature reservoirs. Both compositions were never intended for commercial release and were only given out by hand in Flexidisc format during the exhibition.\u003c\/span\u003e\u003c\/p\u003e","brand":"TrueClass Records","offers":[{"title":"Default Title","offer_id":51358130929995,"sku":"","price":8.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/0024645146_10.jpg?v=1740744837"},{"product_id":"various-peace-chant-vol-3","title":"Various – Peace Chant Vol. 3","description":"\u003cp\u003e\u003cspan\u003eAs we turn together on this tiny blue ball hanging lonely in space, and as we together face existential threats ranging from climate catastrophe, the rise of brutal authoritarian regimes, the breaking of the industrial storm and the imminent collapse of empire, not to mention the raging covid-19 crisis and the continuing racial and social struggles across the globe, we are thrust into a society-wide grand awakening that has been in the making for a very long time. Of course, our musical teachers have trod this path before us, and have worked out solutions to these problems, the songs of the Peace Chant series ring out loud and clear as our ancestors' proof of concept. They say history repeats itself, maybe it's because we weren't listening the first time. Thanks to Tramp Records, we have been granted another opportunity.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eToday, the musical and spiritual truths enshrined within the spiritual jazz diaspora seem to be more and more sought-after, and crucial at a time when we as a society seek higher and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efarther for those bold truths. With each generation, that truth doesn't change, and the artists featured in the series speak those truths along a continuum that ranges from the late-60s up to the present day.\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eVolume 3, the first LP, features artists who use their medium to welcome the return of the sacred feminine as in Lenny Marcus Trio's Mother's Day, and speak on afrocentric themes like Roland Hayes with his heartfelt Africa The Beautiful. Mineral King renders epic orchestral rock while Natural Life takes us even further on a ten-minute epic quest from a progressive fusion head, to searing tabla, into virtuosic guitar jamming and finally dropping into heady fuzz-soaked riffs and free-jazz fusion with their theme song. Rama Dyushambee sings a devotional song about divine source and healing, while Jule Farmer's Muhammad Ali stands strong at the crossroads between black spirituality and black power. Black Is provides a vibey lo-fi flute jazz meditation in their Themes and Variation while The Supa Lowery Brothers provide the requisite hard modal freedom funk.\u003cbr\u003e \u003cbr\u003ePeace Chant is the center of the mandala, representing the nucleus of the post-bop, modal jazz, avant-garde, transcendental, spiritual, ethnic, and freedom music universe without necessarily suggesting anything immediately identifiable as any of the above. This is the soundtrack to the raising of human consciousness and the salvation of society's very soul.\u003cbr\u003e\u003cbr\u003e We give thanks to Tramp Records for leading our thirsty hearts to this rich fountain.\u003cbr\u003e\u003cbr\u003e ~Joel Ricci\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Tramp Records","offers":[{"title":"Default Title","offer_id":51363584573771,"sku":"","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a0100789976_10_1.jpg?v=1740813421"},{"product_id":"tony-lavorgna-and-the-st-thomas-jazz-quartet-chameleon","title":"Tony Lavorgna And The St. Thomas Jazz Quartet – Chameleon","description":"\u003cp\u003e\u003cstrong\u003e2022 Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eA totally obscure release from Youngstown, Ohio's Tony Lavorgna and his late 70's early 1980's band: The St. Thomas Quartet. Like many private press album's it's an ad for their set list, recorded on the cusp of cassettes and definitely pre-cd so strictly vinyl it is. A mixed bag of tunes and influences but two of the tunes absolutely leap into your ears.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA Hammond led Soul Jazz version of Herbie Hancock's \"Chameleon\" at nearly ten minutes that seems to just get more drivingly funky and intense and David Thomas on the B3 is absolutely inspired on this monster of a track. It makes you wonder why on earth more Hammond players didn't make a feature of this tune?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe other inspired choice is War's \"The World Is A Ghetto\" which just has to be one of the funkiest versions of this much covered tune. Some soulful sax from leader Lavorgna signposts the way for the rest of the bands soulful and jazzy contributions with again Hammond man David Thomas underpinning with his funk drenched riffs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eTony Lavorgna is a one off too, his life story is available in Comic Book form under the title \"Bebopman\" by American Splendor writer Harvey Pekar.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jazz Room Records","offers":[{"title":"Default Title","offer_id":51365384028491,"sku":"","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/R-22809191-1649433515-4224_1.jpg?v=1740851616"},{"product_id":"thomas-stronen-ayumi-tanaka-marthe-lea-bayou","title":"Thomas Strønen, Ayumi Tanaka, Marthe Lea – Bayou","description":"\u003cp\u003e\u003cspan\u003eUne musique fraîche et ouverte, délicate et aérée, prend forme alors que le batteur Thomas Strønen et Ayumi Tanaka, précédemment entendus dans l'ensemble Time Is A Blind Guide sur \u003c\/span\u003e\u003cem\u003eLucus, \u003c\/em\u003eréapparaissent dans un nouveau trio avec la clarinettiste\/chanteuse\/percussionniste Marthe Lea. Le groupe s'est formé à l'Académie royale de musique d'Oslo, où, pendant deux ans, les musiciens se sont rencontrés chaque semaine pour des explorations musicales. Strønen : « Nous avons toujours joué librement, dérivant entre des éléments de musique classique contemporaine, de musique folklorique, de jazz, tout ce qui nous inspirait. Parfois, la musique était très calme et minimaliste : jouer ensemble a généré des expériences spéciales. » L'esprit spontané de la musique se reflète dans le premier enregistrement du trio, réalisé au studio de radio de Lugano et produit par Manfred Eicher. À l'exception du morceau titre, basé sur une mélodie traditionnelle norvégienne, la musique de Bayou a été créée collectivement sur le moment.\u003c\/p\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":51372818399563,"sku":"","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/cover_1000_4.webp?v=1740989043"},{"product_id":"olivier-romero-abe-enchanted-rhythm-ep","title":"Olivier Romero \u0026amp; Abé – Enchanted Rhythm EP","description":"","brand":"Drumble Music","offers":[{"title":"Default Title","offer_id":51397315559755,"sku":null,"price":8.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/R-13625046-1569241181-1967.jpg?v=1741262856"},{"product_id":"nick-walters-ranakpur","title":"Nick Walters – Ranakpur","description":"\u003cp\u003e Due to popular demand we have pressed another 100 copies of the 10\"! These are available in plain white sleeves, hand stamped with the track names and musicians as well as the DOT logo\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eNick Walters returns to his DOT imprint with a limited edition 10\", featuring a selection of two ragas recorded in collaboration with the Pakistani musicians Kashif Ali Dhani (tabla) and Muzamil Hussain (sarod). This 10\" is the forerunner for a full album due for release on DOT in early 2023, which features tracks born out of a trip to India in 2019.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eDuring a month long trip backpacking around India, Walters started piecing together a new album, taking inspiration from the sights, sounds, food and culture. He also took a digital recorder with him, recording samples whilst on the road that he could use for the album. The two tracks on this record feature some of those samples and are an exploration of ragas - the North Indian classical music he encountered on his trip. Of course, the exploration of Hindustani Classical music is a well trodden path for many great musicians, led in the 60's and 70's by jazz heroes such as John Coltrane and Don Cherry, and more recently Walters' long time collaborator and friend Tenderlonious. Both tracks on this limited edition 10\" focus on traditional ragas and feature Jaubi band member and tabla master Kashif Ali Dhani, and Muzamil Hussain on sarod.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003e'Ranakpur' is a raga using the mode of Raag\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eCharukeshi, a scale referred to in western music theory as the aeolian dominant. It is said to incite feelings of pathos and devotion in the listener, and inspiration for this recording was drawn from visiting the ornately carved Jain temple at Ranakpur in Rajasthan, India.\u003cbr\u003e\u003cbr\u003e 'Raga for Don' is a tribute to Don Cherry, and uses the same mode (Raag Malkauns) which he explores on his track 'Malkauns' from the classic album 'Brown Rice'. The notes of this raga correspond to the western pentatonic scale, and are said to have a soothing and intoxicating effect.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"D.O.T.","offers":[{"title":"Default Title","offer_id":51404834636107,"sku":null,"price":12.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/1-nick-walters-ranakpur.webp?v=1741352101"},{"product_id":"mette-rasmussen-pak-yan-lau-traditional-noise","title":"Mette Rasmussen, Pak Yan Lau – Traditional Noise","description":"\u003cp\u003eA collaboration between two up and coming stars of experimental music - Mette Rasmussen and Pak Yan Lau - offering glimpses of probable futures of improvisation.\u003c\/p\u003e\n\n\u003cp\u003e Mette Rasmussen is a Danish saxophone player based in Trondheim, Norway, who first gained attention as a member of Trio Riot, before increasingly branching out as solo artist, working with the likes of Alan Silva, Chris Corsano, Fire! Orchestra, Tashi Dorji, and Ken Vandermark. Drawing from a wide range of influences, from free jazz to textural soundwork, Rasmussen's practice delves into the exploration of the natural rawness of her instrument and its capacity for expression, with and without preparations.\u003c\/p\u003e\n\n \u003cp\u003eBased in Brussels, Pak Yan Lau is a sound artist, improviser, musician, and composer. Over the last decade, she has developed her own singular sonic universe blending acoustic, electro-acoustic and electronic approaches and working both as a vocalist, as well as with prepared pianos, toy pianos, synths, electronics and various sound objects across a number of solo efforts, in addition to live and recorded collaborations with Chris Corsano, Akira Sakata, Tatsuhisa Yamamoto, Tetuzi Akiyama, Rie Nakajima, and Darin Gray.\u003c\/p\u003e\n\n\u003cp\u003e Recorded in Antwerp during late 2017, \"Traditional Noise\" features Rasmussen on alto sax, preparations, objects, voice, and Lau on toy pianos, synth, sampler, wokalimba, typatune, and electronics, locked in an evolving, conversant sound expanse that pointedly avoids the explicitly musical as the two artists bristle against each other, delivering textural and tonal interventions defined by careful restrain and space.\u003c\/p\u003e","brand":"Holidays Records","offers":[{"title":"Default Title","offer_id":51417972343115,"sku":null,"price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a0551146203_10_1.jpg?v=1741608062"},{"product_id":"mario-luciano-lauren-santi-shades-of-mauve","title":"Mario Luciano \u0026amp; Lauren Santi – Shades Of Mauve","description":"\u003cp\u003e \u003cspan\u003eEntry #8: Composer, producer \u0026amp; arranger Mario Luciano and vocalist Lauren Santi of Polyphonic Music Library delve into Psychedlic Jazz, Experimental Soul \u0026amp; Cosmic Fusion.\u003c\/span\u003e\u003c\/p\u003e","brand":"Madlib Invazion","offers":[{"title":"Default Title","offer_id":51418791739723,"sku":null,"price":19.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a0655910183_10_1.jpg?v=1741619535"},{"product_id":"manfredo-fest-brazilian-dorian-dream","title":"Manfredo Fest – Brazilian Dorian Dream","description":"\u003cp\u003e\u003cspan\u003eLegally blind from birth, Brazilian keyboard player, composer and bandleader Manfredo Fest learned to read music in Braille and began studying classical music at a young age. By 17 he had fallen in love with jazz (particularly the music of fellow blind pianist George Shearing) before becoming swept up in Rio's emerging bossa nova movement in the sixties. Moving to the States in 1967 where he would go on to work with fellow countryman Sergio Mendes, Fest recorded and self-released Brazilian Dorian Dream in 1976, listing Thomas Kini (bass), Alejo Poveda (drums, percussion) and Roberta Davis (vocals).\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eLike a turbo-powered, intergalactic elevator ride, Brazilian Dorian Dream builds on the principle of the modal diatonic scales of the Dorian mode, with influences of Brazilian rhythms, North American jazz and funk, and music of the European baroque and romantic era. The coming together of these intergenerational and intercontinental styles coupled with Fest's visionary use of the Fender Rhodes, Clavinet, Arp and Moog synthesizers (plus a whole load of effects units), makes for an album light years ahead of its time.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThe miraculous wordless vocals of American jazz singer Roberta Davis are nailed so tightly alongside\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eManfredo's keys and mind-bending synths that it sounds almost alien. On the album's liner notes, Fest preaches Davis' ability highlighting how hard it is to sing such precise intervals so accurately. One of the tracks on which the vocals shine brightest is space funk stepper “Jungle Cat”, which features hard funky drums, freaky synth lines and expert Rhodes comping. The track builds up and up before releasing into the unmistakable scat melody in the chorus.\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eA few years after releasing Brazilian Dorian Dream, Fest recorded and released his Manifestations album in 1979, featuring 'Jungle Kitten': a new dancefloor focused variation on “Jungle Cat”. At around 140 BPM 'Jungle Kitten' was possibly deemed too fast for staside dance floors, which explains why it never got a US 12\" release. But the track became something of an underground hit at jazz dance clubs and all-dayers across the UK in the 80s and as a result it has probably become Fest's most well known track since.\u003cbr\u003e\u003cbr\u003e Manfredo passed away in Florida in 1999, and his music never quite reached the audiences it deserved. Due to the independent nature and limited run of the original release, Brazilian Dorian Dream has to this day remained almost impossible to find on vinyl. Far Out Recordings is proud to make this masterpiece available to new audiences with a remastered vinyl, CD and digital reissue in 2020.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Far Out Recordings","offers":[{"title":"Default Title","offer_id":51419084652875,"sku":null,"price":10.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/0020418458_10.jpg?v=1741624848"},{"product_id":"larry-douglas-alltet-dedications","title":"Larry Douglas Alltet – Dedications","description":"\u003cp\u003e \u003cstrong\u003eLimited reissue on silver-colored vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eLarry Douglas has ruled as one of San Francisco's top trumpet\/flugelhorn players for more than three decades. A native of Statesboro, Georgia, Douglas found early inspiration in the music of his older brother Gary (who played trumpet) and his high school teacher James Blakely (who played alto saxophone). While in college, he and his group Funk, Incorporated (a self-proclaimed Earth, Wind, \u0026amp; Fire pre-cursor band), took first place in the national and international levels of the Budweiser Music Festival competition. He moved to San Francisco, as a member of the United States Army's Sixth Division Band, in 1975. With his velvety-silky tone and wide-ranging musical curiosity, Douglas has been one of the Bay Area's biggest jazz names for decades.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eIn addition to leading his own Jazz-funk group, (The Larry Douglas Alltet), he has worked with such stellar musicians as Freddie Hubbard, Chuck Berry, Albert Collins and Sun Ra. As a member of 'Johnny Otis and His Orchestra', his playing was featured on four albums including the Grammy-nominated 'Spirit Of The Black Territory Bands'…and later Douglas toured internationally with Johnny's son, Shuggie Otis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eMr. Douglas has a Bachelor's degree in instrumental music education from Florida A\u0026amp;M, and a Masters of Music degree from the San Francisco Conservatory, Douglas has shared his musical knowledge with students at Aptos Middle School, from 1981 until 1990, and Galileo High School of San Francisco, since 1991. He also teaches a jazz history course at Vista Community College. Currently Douglas collaborates with renowned percussionist Jorge Pineda, whose curvier approach to Latin percussion and improvisational fluency make for a shimmering partnership.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eLarry Douglas has become a mentor and a father to five children of his own. All of them followed in his musical footsteps. One of his sons, LaDamon (also known as Fatboi) is a hip-hop producer in Atlanta who has produced music for big names such as Gucci Mane, Flo Rida, and 2 Chainz. Larry even plays trumpet \u0026amp; flute on 'The Hustle' by Nas, a track his son produced.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eHis debut solo album Dedications, which we are proudly presenting you today, was released in 1985 as a tribute to his son and the boy's two aunts. Dedications received tremendous response all over the globe and two tracks from the album were even sampled by Madlib in 2010. Also featured on these recordings are some serious all-star guest musicians from the likes of Ronald Wilson (Sun Ra Arkestra) and Jimmy Lewis (Horace Silver, Idris Muhammad).\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eIf you enjoy high-energy electric fusion, strong percussion, straight-up traditional acoustic jazz, vibrant horns, plenty of soul-funk-latin influences and frenetic pulsating rhythms…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves). Whether playing trumpet or trombone, Mr. Douglas is the master of his craft and dedications will satisfy even the most demanding listeners. By the end of the album you are simply left wanting MORE. 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The mistery that surrounds the musicians involved in these sessions makes the journey even more interesting and tense. “Was really that drummer involved in that record?” - “I don’t know” or, of course, “I don’t remember…”.\u003cbr\u003e Certainly, a new distinctive brick has now been added to the Italian Jazz-Fusion heritage.\u003c\/div\u003e","brand":"Dualismo Sound","offers":[{"title":"Default Title","offer_id":51437470449995,"sku":null,"price":8.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a2537542554_10.jpg?v=1741860410"},{"product_id":"j-zone-intoxicated-skull","title":"J-Zone – Intoxicated Skull","description":"\u003cp\u003e \u003cspan\u003eMadlib Invazion Library Series Entry #3: Drummer and Producer J-Zone offers his take on The Ultimate Beats, Breaks and Funk.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Madlib Invazion","offers":[{"title":"Default Title","offer_id":51444519469387,"sku":null,"price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a2991276784_10_1.jpg?v=1741940187"},{"product_id":"ill-considered-precipice","title":"Ill Considered – Precipice","description":"","brand":"New Soil","offers":[{"title":"Default Title","offer_id":51447999856971,"sku":null,"price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a3808270231_10.jpg?v=1741966438"},{"product_id":"gruppo-sound-dreams-for-sax","title":"Sound Group – Dreams For Sax","description":"\u003cp\u003e \u003cstrong\u003eRemastered reissue limited to 500 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eAnother gem from the extensive Flipper Music catalog, more precisely from their Flower sublabel, \"Dreams For Sax\" is possibly one of the most stand-out productions from their studio ensemble Gruppo Sound, this time around featuring saxophonist Paolo Russo with keyboardists Stefano Galante and Vittorio Quattrini. First released in 1987, the songs recorded for \"Dreams For Sax\" are a beautiful blend of easy-listening electronic and jazzy vibes, from mellow tunes such as \"Dawning\" and \"First Class\" to some killer floor-filling italo disco bangers such as \"Walking On Air\" and \"Dance Power\". 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A sound that takes you both back in time and forward into the future.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eChris Alfaro, aka Free the Robots, is a musician, beat maker and DJ known for his ability to jump in and out of different sonic worlds, creating a unique signature sound blending\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eelectronic, hip hop, jazz and psychedelia. 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My take on Autumn 2001 was more a drum heavy, loopy and spaced out approach to the original song.”\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Four Flies Records","offers":[{"title":"Default Title","offer_id":51454083531083,"sku":null,"price":10.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0869\/6505\/9915\/files\/a1417962336_10_1.jpg?v=1742058205"},{"product_id":"classroom-classroom","title":"Classroom - Classroom","description":"\u003cp\u003e The lost Belgian blueprint of Brussels based jazz fusion and how free form Franco-Flemish punk put Zeuhl school in the Classroom via to the conception of COS.\u003c\/p\u003e\n\n\u003cp\u003e Emerging from behind the same clouds that kept formative Belgian progressive jazz records like Brussels Art Quintet and Kiosk's Mona Call in tangible obscurity, these impossibly rare early Euro jazz recordings shed a new ray of light on the intricate foundations of the scene that elevated COS, Marc Moulin, Placebo, Marc Hollander and Telex to Zen master status, while also capturing one of Europe's best female vocal artists in the midst of her wide eyed and uninhibited prime.\u003c\/p\u003e\n\n \u003cp\u003eIdiosyncratic, intrepid, psychedelic, scholastic? Affirmative. But not once do these recordings resemble pages of a dog-eared sketchbook. Expertly executed and recorded, this semester of progressive proto jazz fusion symposiums capture the group as they unveil the unique strain of experimental 'Flower Music' (a title worthy of a lost Don Cherry album?) that would imminently blossom into the trailblazing COS powerhouse. Listen closely and hear the sound of this outernational mutating quintet as they tear up the rule book and still graduate onto the International jazz rock scene with flying psychedelic colors. Fans of COS tracks such as Mein maschine ist schön and L'Idiot Léon will herein identify the foundations of Pascale Son's early experimental, non-lyrical and onomatopoeic vocalizations which would earn the band favor amongst early Zeuhl aficionados, thus winning the group support slots with Magma and historically leading directly to the Classroom\/COS overnight metamorphosis. These recordings capture that precise chink in time and the eureka moment where Daniel Schell's experiments become a leading life force. Constantly forward-thinking with a don't look back mantra, these recordings have remained nestled on old acetates and magnetic tape akin to similar lost Low Country albums such as Alain Pierre's mythical L'enfant grandit synth opus and Placebo's coveted Three Days In April TV recordings.\u003c\/p\u003e\n\n \u003cp\u003eNever before released on vinyl, these tracks provide us with a sonic chalkboard of Daniel Schell's ambitious musical equations, recalculated by precocious polymaths, then conveyed via Pascale Son's inquisitive child-like vocal explorations. For those keen to learn the History of Melody COS? 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That was a golden time for Norwegian music, in fact, when the rest of the world began to sit up and take notice that something was stirring up north, and realized the music was more than just glacial tones hurtled from icy mountaintops and frozen lakes. This was the sound of urban Scandinavia.\u003c\/p\u003e\n\n \u003cp\u003eA few years later came the electronic dance genre 'space disco'. Along with Todd Terje, Bjørn Torske and Lindstrøm, Prins Thomas was at the epicenter of this next big wave to surge out of Norway. Now, the two generations have come together in this exclusive collaboration between Bugge and Prins Thomas on the Smalltown Supersound label. Jazz and electronics combine for that energizing vitamin D shot of Nordic sunshine.\u003c\/p\u003e\n\n \u003cp\u003eThe Rainbow Studio in Oslo is a familiar name to anyone who follows the ECM label – many of its classic 1970s jazz albums were recorded there under the eye of resident producer Jan Erik Kongshaug. Bugge and Thomas booked a couple of sessions at the legendary space with Kongshaug at the controls, and improvised some tunes in the style and spirit of some of their favorite ECM moments, like the fresh, open sounds of Codona, Egberto Gismonti, Oregon and Kenny Wheeler. Bugge had previously done a remix of Thomas's 'Bobletekno' in 2015 but this is the first time they have worked together as active musicians. The results – also partly taped at Thomas's home studio – fuse programmed rhythms, live synths and percussion, all captured in sumptuously spacious acoustics.\u003c\/p\u003e\n\n \u003cp\u003eFor an even more authentic touch they called up one of their all time local heroes and one of Norway's most famous jazz drummers, Jon Christensen, who's been the go-to guy for Jan Garbarek, Terje Rypdal, Keith Jarrett and many more. 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It's our largest project to date, and the fact it is delivered via the legendary Blue Note imprint reiterates its importance.\u003c\/p\u003e\n\n \u003cp\u003eKicking off proceedings is 'Sky Reflections', a stunning cinematic hip-hop joint that features strings from esteemed arranger Steve Hussey \/ Urban Soul Orchestra (Soul II Soul, 'Back to Life'). Setting the tone for the rest of the LP, it is followed by 'Labels', the first of four singles on the record and one of a handful of collaborative tracks. A similarly majestic sonic creation, it combines Kofi Stone's slick bars and Tiana Major9's head-turning vocals with the smoothest of production. Then there's 'Gotta Go Fast', the result of a handful of park jam sessions, featuring the soaring trumpet of Poppy Daniels, 'I'll Be Here For You', featuring the soulful energy of Teni Tinks, and 'Don't Let It Go Away' with Emmavie, who Blue Lab Beats have known from the “glory years” of Soundcloud.\u003c\/p\u003e\n\n \u003cp\u003eFurther singles come in the form of 'Blow You Away (Delilah)' and 'Sensual Loving', both featuring the unmistakable vocals of Afrobeats prince Ghetto Boy, and 'Dat It', an infectious combination of meandering piano chords and funk-drenched synths, with additional keys coming courtesy of renowned Stones Throw affiliate and Drake collaborator, Kiefer.\u003c\/p\u003e\n\n \u003cp\u003eMeanwhile there are a host of additional star-studded collaborative tracks on Motherland Journey. Perhaps the most prominent is the title track, co-written in Accra, Ghana with Ghanaian production talent KillBeatz at 3am in the morning. 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Sorti en 1977 sur Soul Jazz Pop, un label subsidiaire de Mavuthela Music Company \/ Gallo, l'album éponyme de Teaspoon \u0026amp; The Waves est un chef-d'œuvre absolu. Mieux connu pour la chanson 'Oh Yeh Soweto', une adaptation étonnante de l'hymne de Lamont Dozier 'Going Back to My Roots', ce morceau est devenu un classique de club underground contemporain et a été joué dans les sets d'une multitude de DJ. Avec un titre aussi marquant, il serait facile de considérer l'album comme un one-tracker typique (comme beaucoup d'albums le sont souvent), mais c'est loin de la vérité. Chacun des quatre autres titres est super fort et, pour nous, chez Mr Bongo, c'est notre album sud-africain préféré de cette époque. 'Saturday Express' est un tube jazz-funk\/disco qui va bientôt enflammer les pistes de danse. 'Wind and Fire' est une véritable excellence afro-jazz-funk, avec de superbes synthés spatiaux et des grooves de guitare d'inspiration reggae. 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